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The married Bongwan leaves home in the dark morning and sets off to work.
The memories of the woman who left weigh down on him.
She admires Jean-Luc's originality, intelligence, wit and boldness while he loves Anne's freshness and - admiration of him. Godard, who is more and more involved in the revolution, indeed becomes less and less available to his young wife, which does not prevent him from acting jealous.
It also looks as if the genius is losing his sense of humor.
These are demanding roles because the marital discord doesn't grow from one explosive conflict to another but accumulating stress and tension between two people, expressed mostly in subtle bodily or facial impressions that the camera eagerly catches.
Poorly written, poorly plotted, poorly acted, poorly filmed.
As a matter of fact, one of the few redeeming qualities was the quality of the body-double (though the transition from actress's face to the body-double was also poorly done).
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She met the first, Neil, in a nightclub; he is arrogant but so sexy.